Kere, The Minotaur by Harrison Birtwistle, libretto; David Harsent. Directed by Stephen Langridge, Music Direction; Antonio Pappano in 2008 and again in 2013 with
Ryan Wigglesworth. Royal Opera, Covent Garden
“A pack of bloodthirsty female death-spirits whose dirty wings rake the floor to chilling effect.” -John Allison, The Telegraph
“With the arguable exception of the blood-crazed harpies or Keres tearing souls and body parts from the dying — they make Wagner’s Valkyries look like Girl Guides — Stephen Langridge’s production, designed by Alison Chitty, is as sure-footed as ever.”
-Barry Millington, Evening Standard
Soprano Amanda Echalaz’s Ker leads the Keres as they feed from the corpses of the victims of the Minotaur; with English subtitles. From Sir Harrison Birtwhistle’s opera ‘The Minotaur’ at London’s Royal Opera House
Ruggiero in Peter Foggit’s 2011 adaption of Handel’s Alcina with Barefoot Opera, directed by Jenny Miller at The Arcola Theatre for The Grimeborn Festival Opera
“Krysia Mansfield made a feisty Ruggiero” -Yehuda Shapiro, Opera Magazine
“Performed exquisitely”-Michael Tanner, The Spectator
Venus, Ballet de Flore, Jean-Baptiste Lully, for Ad Parnassum, directed by Maria-Lisa Geyer, choreography by Roberto de Gregori with L’Offerta Musicale di Venezia.
Sorceress, Dido & Aeneas, Purcell, for Ad Parnassum, directed by Maria-Lisa Geyer, choreography by Roberto de Gregori with L’Offerta Musicale di Venezia.
Touring in 2015: International Music Festival Altafulla, International Music Festival Llívia, Rapallo, Villa Pisani, and at St Mary the Virgin, Finedon
2012 – St John’s Smith Square, St George’s Bristol,
and the Goethetheater Bad Lauchstäedt
2011 – St Paul’s Church Covent Garden an at Ca’ Rezzonico, Venice
Huntsman, Venus & Adonis, John Blow & Anne Kingsmill, for Ad Parnassum directed by Maria-Lisa Geyer with L’Offerta Musicale di Venezia. Rapallo, Venice, London.
2014 & 2020
Mill Hand, Police Officer & Convict (acting roles) Lady Macbeth of Mtsensk, directed by Richard Jones, conductor Antonio Pappano
Royal Opera, Covent Garden, 2006 and 2018
2nd Bridesmaid & cover Marcelina, Le Nozze di Figaro
Longborough Festival Opera directed by Jenny Miller, 2009
Hell Hath No Fury, staged cantatas directed by Jenny Miller, musical director Nancy Cooley with mezzos Jaime Jo Hallam, Aino Konkka and soprano Alice Rose Privett. Krysia sang Handel’s cantata, La Lucrezia. Touring the Windsor Festival,
Coastal Currents Festival & The Nave, Islington
Madame Flora in The Medium by Gian Carlo Menotti directed by Rosalie Fletcher, The Opera Workshop at PACT Theatre, Sydney, Australia
2011 – “The Sea is Singing to Me” recital of Duparc, Faure, Debussy, Tippett and Borodin songs with Nancy Cooley on piano at Hastings Museum
2010 – “An Autumn Concert” at St Mary in The Castle, Hastings. With Carl Cassidy and Val Cassidy on piano. Repertoire ranged from: Saint Saens, Mon coeur s’ouvre a ta voix to Peggy Glanville-Hicks, 13 Ways of Looking at a Blackbird and Carl Cassidy’s original compositions
2005 – soloist in Mozart’s Mass in C for Thurrock Choral Society and for Luton Choral Society in Rachmaninov Vespers conducted by Crispin Lewis
2006 – Solo performer in Australia Day Celebrations at The Rocks, Sydney.
Site-Specific performance piece directed by Roland Peelman, The Song Company
1998 – Concerts and Recording: Testament: Archangels’ Banquet & Shepherds’ Delight – The Renaissance Players, Australia’s longest-lived early music ensemble directed by